Phil serves the encore above the usual.Įyes of the World - comes as surprise, goes places Not Fade is completely solid and surely opened the bus door for many now-clapping newbies. Bobby takes a conversational tack for a quieted Throwing Stones, but the playing is good. It's great fun and was exciting in person - kept us guessing! The AUD's better here, too. This solid Wharf is oft-noted because it has a brief (~45sec) Dark Star tease It's pretty much Jer's deal, since nobody follows, other than supporting his quote. Tight, the end jam is again great (and the AUD again more representative). That's fixed tout de suite with a cooking Miracle. Unorthodoxically, it was all about the visuals. The next few are average, but the second half of Space is the worst I ever witnessed - in an era where they had become spectacles. It was better in person, as played for the bright, rising, picasso moon. Picasso is solid enough, for a Picasso, but the end jam into Crazy Fingers is great. You can hear Jer increasingly warming up, and then it goes places in the second half. This is a fine Eyes that holds up to repeats. Entertainingly, Jer comes back très prêt à jouer. In Dough Knees, Bruce gives enough to leave 'em happy for the break (the AUD better exhibits the playing). Black Throated was a welcome rarity for us 80s-gen Heads, but Iko Iko is the best group effort so far. Try the AUD here, because the piano-solo-center is mixed-out on the SBD. Half-Step is a bit uptempo, and Wang Dang is concise no fireworks, but the first solid song. The mix improves through the first few songs, as Healy slowly puts Bobby's guitar back in. What was really kew-el: I got a SBD of this show in the mail from a guy that just assumed I had gone to the show, and he just wanted, in return, any show not on his tapelist (I see you got your list out)!įirst Set. Īfter this show: I only did runs or single shows, no tours or tour segments and no more stadia. That probably put him in better health for CalExpo & Shoreline, but feeling jangled. The JGB cancelled 3 July dates (including Telluride). But then came a nearly two hour second set.Īfter this show: an intervention was staged and Jer did a rehab attempt. It was a long night only because Santana took their time coming out, as did the Dead, and then the set break was too long. (BTW - per the myth of loading Super Soakers with thousands of doses - it doesn't work that way and would have been wasteful). It was also the first show where I noticed a slightly darker vibe - perhaps a better adjective would be boorish, with an unusual amount of drunks interspersed with the tie-dyed & pie-eyed. Seems like it was a dark show - big-screen visuals but not a lot of bright house lights. Time has been progressive: today he has his own cannabis brand. They believed in me before I believed in myself". The Grateful Dead have always been like that with me. Everybody in the Dead looked at me, like, hey, I had just joined the club. "After they released me, I went to play with the Grateful Dead. He was processed quickly though, making Denver the same night. At customs in Houston the day before, Carlos got nicked for "one tiny, little joint that was about the size of a toothpick.” They charged him with 5 grams (the era where they weighed the pipe, etc.). He was on his 25th Anniversary Celebration Tour, which had come from Ciudad México. Santana was in fine form and his band was hot. It was announced and immediately sold locally, in late April, scattering tour Heads by any available tix. There was no mail order because the show had been added after the tour had been printed up. I was running late and had to to fly on a one-way from KC - with my arm in a cast - to get the guy and drive to Denver.
Jammer pro 6 vs band in a box full#
I was brought by a virgin, who had heard about our experiences for years, and I was dissatisfied that he did not get the full experience, outside or in. years, of presence in the parking lots, swarming for dog infractions.or any). It was a fun night out, but there was a small percentage of Heads and no real scene, and no shakedown street in the lots (police were making a big deal, at this point in the post-Nancy/H.W. There were people in the upper stands too, though not so much at the back - they didn't sell out all 75k tix. Perhaps the worst venue in which I saw them, my stub says Row 15 and I remember walking in from the back and being stopped on the way twice by acquaintances who seemed way back, yet our "better" seats in the first section would've been equivalent to halfway up at Red Rocks. Summers in Colo no longer meant Red Rocks, and this was 8x that size. It was weird to go to Denver for a single show - especially one this size. It's not quite up to those overall, but it has a fine second set.
![jammer pro 6 vs band in a box jammer pro 6 vs band in a box](https://i.pinimg.com/236x/e8/bd/1f/e8bd1f605731dbe97c81c8c3c849b104.jpg)
Known for the Eyes and the Wharf, this is part of a month of fine shows that includes 6/22 Chicago, 6/25 KC, and the great 6/9 Buckeye.